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I recognize the value and potential of computer-aided design, but have been reluctant to use it exclusively. This stems from the belief that when software is relied upon so intently that it is used from the beginning of a project as a means of conceptualizing an idea, something profound is forfeited in the design process.

The practice of filtering and working out ideas by sketching and drawing leads to subconscious accidents that have the potential to initiate fresh ideas. What might appear to be messes of scribbles on a sheet of paper with no apparent meaning or intention may become the unexpected value we are seeking.

There is a specific joy and satisfaction that comes from allowing ideas to flow freely and releasing them via ink on paper. This process requires communication and interaction between mind and body, creating an intuitive connection. When we allow ourselves to speculate on paper, we are tapping into our creative realm. These interactions are unique for everyone, evoking a personal style that can translate not only intentions but also emotions.

When the analog conceptual design process is overlooked for the ease of producing perfect entities, with computer-generated forms replacing the loose lines and curves on paper with the click of a button, the result may be complex and interesting but also lacking in style and emotion. One’s personal representational style is ever changing and evolving, as it should be, and the importance of developing a signature is paramount because it ultimately translates into final designs, and, more importantly, into the type of designer one becomes.

When computer graphics are desired, having a foundation of hand-drawing ability and knowledge of computer software gives rise to a seamless and powerful fusion. This marriage elevates digital graphics to a more organic level, evoking the analog conceptual design process, while simultaneously distancing the graphics from the myriad of generalized computer renderings.

I encourage everyone to draw and sketch not only for the benefit of the design process but also for personal gratification. Drawing at every opportunity encourages us to notice details that we may otherwise overlook. Fuel the connection between mind and body; explore and speculate freely with pencil and ink; encourage your creative process by sketching, and become more open to the unexpected creations that reside on paper.

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3 Responses to “CAD: Drawing the Line”

  1. Matt Zehnder

    AMEN! I sketch and sketch and sketch. A pencil and piece of paper, napkin, envelope, whatever is handy helps to ‘flesh’ out our ideas. So many of the young designers today are very good at ‘anything’ computer based, but falter when it comes to expressing their ideas in a hand sketched form. More art classes in college and encouragement from professors will go a long way to producing better designs.

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